It got me thinking of the object of my affection in my home, that one piece that is so very dear to me. The accessory that I cannot live without, the one design element that makes my home very close to home (my homeland). And it brought me to this group of sepia prints that hold sentimental value for me.
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The three images, from left to right anti-clockwise are of three different cities of Pakistan, Peshawar (Qissa Kahani Bazaar, transl: story-telling bazaar), Karachi (Tollington Market) and Lahore (Badshahi Mosque) photographed towards the end of the nineteenth century. The fourth piece is a post card in the most beautiful Arabic calligraphy of the Ayat-ul-Kursi (verses from the Quran).
One would question why these particular pieces. Well for one, the three photographs were originally part of a calendar that someone had heartlessly thrown in the garbage at my architecture school back home. Now I’m no garbage digger, but as I saw the grandeur and serenity of the Badshahi Mosque magically captured by an unnamed photographer through his camera lens and stored forever in this image, I could not help myself. One man’s trash is another man’s treasure. 7 years ago when I had pulled it out of the trash I had no idea what I would do with these images or how I would use them. But here they are 7 years later framed and cherished. The objects of my affection, a constant reminder of home, seamlessly bridging the gap of nostalgia, shedding light on childhood memories. My companions during the day and inspiration at night fall.
As for the postcard, it is part of my father’s wide range of postcard collection, that I unquestionably inherited (my siblings dare not put up a fight). Seeing these pieces everyday make me positively reminiscent and make my house a home.
I hope you enjoyed my object of affection. What is yours? Please do share